<aside> 🌀 Please note: we are now drafting the article and are no longer onboarding any new contributors. Existing contributors can continue to provide feedback on the W&M Research: Alternative Financing Rough Draft.
Research Outline & Arguments — (On-chain Music Ecosystems: Navigating the Path Ahead)
Join our Telegram:
</aside>
—
<aside> đź’ˇ How to contribute now:
—
Homework:
Asyncrhonous Action!
Figma:
https://www.figma.com/embed?embed_host=notion&url=https%3A%2F%2Fwww.figma.com%2Ffile%2FQyKNzAOmN59RRxqHSn94TE%2FW%26M-DAO%3A-Alternative-Financing-Research%3Fnode-id%3D0%3A1%26t%3DxH3i3c5ZYaf0fViM-1
**Goal**:
"From the throughlines work, we'll revisit those Research Questions in that hackmd and start the writing process. I think this shouldn't be another 90k word article, but something shorter and with strong take aways for that core group of artists and their teams wanting to get into Web3"
—Maarten Walraven (@[email protected])
Watch:
</aside>
—
Open research into alternate web3 financing optionality will attempt to develop a working framework for “sustainable” music ecosystems, an ecosystem map, potential grants board and contract builder (cc. Harrison Lee) to be published by W&M in the first quarter of 2023.
to provide a resource for artists and artist teams on how to resource their projects via Web3, and what legal and financial considerations there are when approaching funding through this avenue. Ideally, we’d be learning so we are able to extract existing best practices (incl. important considerations) and tools/platforms.
We’re focusing on these research questions: